I am a photographer, filmmaker and writer based in Birmingham in the UK. This is my chronicle of the modern plague year(s), beginning in March 2020 with the start of the coronavirus epidemic in the UK.
It was in late winter as the vernal equinox approached and life as we knew it ceased to exist that the tape began to unfurl and snake out on the city streets before me. Yellow, white and red, usually shiny, always plastic, and hitherto mostly used at crime scenes and to control crowds at big events. At first, the taped lines were judicious and practical; marking out 2m for customers waiting in line outside the supermarket, illustrating one way systems in the shops that remained open, and encouraging customers to keep their distance from the tills to protect checkout staff from coughs and sneezes.
Yesterday afternoon I found myself in a nondescript motorway service station on the M1 somewhere between Nottingham and Chesterfield, waiting for Ed to buy a cup of coffee before we continued north for a much longed for day out in the Peak District to celebrate our tenth wedding anniversary. Physical distancing rules meant that I couldn’t join him in the queue – it was restricted to one adult per household – so I stood by the exit instead, watching people come and go.
The streets are dusty and yellow, the first leaves fallen from the linden trees providing crunch under foot on my evening walk. The air feels thick and heavy with fumes again, as people choose to drive everywhere rather than risk the bus or train. On Elvetham, my favourite neighbourhood cat conducts a spot bath on the warm bonnet of her human’s car, left foot stretched out into the last of the day’s sunshine, toes splayed, oblivious to the comings and goings around her.
In the co-op, I wait for another customer to make his selections before entering the aisle myself, behaviour which feels positively retro by July’s standards. For the time being, the requirement for spaced queues outside supermarkets has been set aside, and personal space in shops has shrunk, too. Facemasks make people bolder and more willing to cast aside the 2m rule, a thin strip of cloth encouraging them to feel invincible. I wear my mask, but keep my distance too.
At the moment life feels much calmer, but I can’t help but sense that it’s a pause, not the end, and that ‘normal’ is still a long way off. These heady days of summer feel like a brief reprieve before we head indoors when the weather cools and the infection rate climbs again in the autumn. I hope I’m just being a pessimist.
Yesterday was the seventh Sunday of physical distancing restrictions, and we woke up to grey skies and 12C after a week of sunshine and warmth. Whereas Minou spent the whole day on Saturday asleep on the bench on the balcony, yesterday she curled up on an armchair indoors and refused to move. Rather than stay in and listen to de Pfeffel babble on and wave his hands like a mad man, Ed and I got in the car, put Spanish Love Songs’ Brave Faces Everyone record on to play, and drove down to the Lickey Hills for an evening walk. The contents of the speech had been leaked anyway, so there was nothing to be gained from watching it live.