I am a photographer, filmmaker and writer based in Birmingham in the UK. This is my chronicle of the modern plague year(s), beginning in March 2020 with the start of the coronavirus epidemic in the UK.
Blossom petals dance along the pavement, lifted by the breeze, painting the drains, gutters and curbs a soft, ballerina pink. In a suburban park alongside the Rea Valley cycle route, a girl of six or seven shows off her ballet moves to her mother and grandmother, performing effortless twirls in her frilly dungaree shorts while residents from the terraces that border the park jog slow circles around the football pitches.
On a beautiful spring day as the fruit trees put on their magical display, the children’s play park sits empty, the gate taped shut like a crime scene.
In the East Asian supermarket with Chopin’s Waltz in B Minor looping in my head from my morning’s piano practice, Ed and I perform a dance of our own in the narrow aisles. We hang back, waiting for the refrigerator to be free so that we can pick up some galangal, only for someone else to give us space in the noodle aisle.
Outside Tesco while we wait in our designated bay, a cloud of cigarette smoke makes me cough, and then panic that the security guard will think I have the virus and deny me entry. Our turn comes to enter the shop and we pick up a single lime and two vegan magnums, shuffling forward through the queue, maintaining a constant marked distance of 2m from customers and staff. I could get used to this new normal when it comes to the etiquette of personal space.
Last night at 8pm on the third evening of our semi-lockdown in the UK, hundreds of thousands of people took part in a national round of applause for the NHS. I live in a strong Labour seat, so I knew the clapping, whistling and fireworks were genuine and heartfelt. However, we are just a few months out from a general election where large swathes of the population voted for a party who have been carefully – and not so quietly – undermining, underfunding, and undervaluing the same health service they were stood on their doorsteps cheering for. Talk is cheap and easy, but I couldn’t bring myself to take part in an event which had been co-opted by people who refuse to pay a penny more in tax to fund the NHS, as well as the same government which has spent the past ten years destroying the health service they now celebrate.
As we approach the spring equinox, rush hour coincides with sunset. On Lee Bank Middleway at 6pm, a Mr Whippy icecream van crawls up the hill and the blossom trees and new growth are backlit by the crepuscular deep blue of headlights and the coming night.
From my observations notebook // 18th March 2019
On New Street, representatives from every belief system stand on their soap boxes and behind their stress test tables preaching about the end times to curiously responsive groups of office workers and shoppers. For the first time in all the years I’ve called Birmingham home, they have an audience. At 5pm on Broad Street, the offices are empty and I sit alone in Oozells Square watching the cherry blossom dance and fall.
Living in the centre of the UK’s second largest city, I am forever moaning about air quality, traffic, and noise. In the middle of winter the stench is often unbearable. Thick cloud, which often descends for weeks on end, traps the diesel fumes and makes the city feel very oppressive. Summer is no better, and hot still days in the middle of a heatwave are particularly sticky and acrid. Working from home, I keep the windows closed during the morning and evening rush hours because it coats windowsills, curtains, and no doubt my lungs, too, with a thick layer of diesel dust. The noise I don’t mind so much. After fifteen years in Birmingham I’m used to it and have found ways to drown it out. That said, the constant police sirens, honking of horns as cars drive the wrong way down my one way street, and the hum of idling engines outside my flat during rush hour is a kind of background noise I would be quite happy to do without.