With rain hammering on the corrugated roof covering the vegetable market, two little girls run between stalls, coat pockets stuffed with handfuls of fun snaps. The fruit trader on the end by the bus stop jumps as the girls detonate a snap by his neat greengrocer’s display of apples, oranges and nectarines. Between half-stifled giggles, the girls insist “it wasn’t us” before scurrying away to play the same trick on another trader at the other end of the market.
Framed by plastic sheeting torn away from the unglazed windows on the ninth floor of a block of flats, a lone construction worker watches Saturday morning unfold at the market on Upper Dean Street.
The canal towpath is lined with rusty hunks of metal, abandoned after someone’s uninspiring game of canal lucky dip. I’ve seen him a few times recently, swinging his blue rope out into the murky water, sometimes on his own, other times accompanied by friends with cans of beer on the go who help him haul his treasures to dry land. A broken, twisted bicycle frame, minus the wheels, road signs, and other sharp pieces of metal line the banks of the canal, presenting an obstacle course and puncture threat to my bike as I cycle to the pool.
Fireworks night on the evening parliament is dissolved. The Jack Russell brothers downstairs can’t stop barking as the city skies are transformed by an enthusiastic display of light and sound put on by every amateur pyromaniac within a 5km radius. Launched from rooftops, alleyways and the canal towpath, the rockets are so close they make the building shake and windows rattle.
After dark as the working day winds down, a homeless man sits on the pavement outside the station with his sketchbook open to a detailed drawing of BMAG in Victoria Square. On New Street a team of construction workers, balanced on rooftops, assemble the wooden huts of the Frankfurt German Market. Opening earlier each of the fifteen years I have lived in Birmingham, this year’s start date is so early the trees above the huts are still in full leaf and decked with poppies for Remembrance Day.
In Tesco, a young woman of no more than twenty stands in the doorway rolling a cigarette from a newly purchased packet of tobacco, the envelope hanging open to display its unheeded warning: ‘Smoking kills. Quit now’. Office workers form a long queue which snakes through the shop. Hunched over phones, they tap, swipe and slowly shuffle baskets forward as a single organism, lost in their own individual worlds.
On my way down the hill to the vegetable market while England play South Africa in the final of the Rugby World Cup, roads are turned to rivers and the streets are quiet. Crossing the flooded astroturf in Chinatown, I spot a group of England fans gathered together for a half time smoke outside a budget hotel. A lucky cat waves from the window of a closed café and a row of roasted ducks hangs limply behind steamed up glass in a Cantonese restaurant on the lower floor of the Mapstone building.
I keep a notebook for the stories and scenes I encounter in my everyday life as well as for illustration ideas. It’s a commonplace book, of sorts, and somewhere I note down songs I hear, ideas that I have for new projects, and an assortment of other bits and bobs that I want to remember or use as inspiration in my photography, films or other creative projects.