This August Ed and I spent ten days camping in France. The first half of our trip was spent in Brittany and then we drove south to Jard-sur-Mer in the Vendée. Two years ago we went on holiday to Brittany to make the most of travelling to Roscoff for a family wedding. It was a really lovely trip, so we wanted to go back again this year and stay for a little longer.
We didn’t book our travel or campsites until a few weeks before we travelled and by the end of July the ferries were really expensive so we took the Eurostar instead, and factored in a couple of extra days travelling across Normandy and northern France. In hindsight, we should have just booked sooner and taken the ferry. Once we’d included péage fees, fuel and the cost of a couple of budget hotels it wasn’t any cheaper. That said, I’ve no regrets. We wouldn’t ordinarily go on holiday to Normandy and we got to see some sights that we had both been looking forward to seeing. Next time though we’ll get the ferry if we’re going to western France. The following pictures are a mix of film and digital.
Back in 2016 I wrote a post all about how to make your digital photos look like they were taken on film. Today I thought I would share another technique post on the subject of the film look, this time focusing on achieving the medium format look with a Four Thirds, APSC or Full Frame digital camera. This is a method I often find myself using, as I prefer the way longer lenses render photographic images. I sometimes use a 35mm or 28mm lens when I need to get a group shot or wide angle perspective when I’m working, but for my personal work I prefer to use the following method to retain the depth and feel of longer lenses in my wider perspective images. This technique is also really helpful when shooting in a tight space as it allows me to capture more of the scene without needing to reach for a wider lens to fit everything in.
How to make your photos look like medium format
The method I use to make my photos looks like they were taken with a medium format camera is nothing new, and I don’t claim to be the first to try it, however I have modified the method in a way that I think makes it much more accessible. More on that below.
I first came across this technique as used by wedding photographer Ryan Brenizer. It is often called the ‘Brenizer Method‘, but it can also be called the ‘Bokeh Panorama Method’. In short, it is the use of a long lens on a crop or full frame digital camera to produce stitched panorama images with a shallow depth of field. You shoot multiple frames, each with a small bit of overlap with the last so that special software can blend them together in post-production.
You’ll find lots of examples with very, very shallow depth of field, but it’s not a requirement. You don’t have to shoot at F1.2, F1.4 or F1.8 to use this method. I often shoot at F4 or F5.6 and use the method more for how it allows me to open up a composition without it becoming too flat. This method can also be used to make photos taken with an APSC or Micro Four Thirds camera look like they were taken on 35mm or ‘full frame’. There are no hard and fast rules, so just get out with your camera and get creative.
The road to South Wales from Birmingham winds its way through Abergavenny, and for a long time now I’ve been thinking that it would be fun to climb Sugar Loaf which is on the outskirts of the town. We pass it by on the way to and from the bigger peaks further west, and most recently drove through Abergavenny on the way home from Babcia’s funeral down in Carmarthen at the start of June. On Saturday with no weddings or races on the calendar, we finally made plans to drive down to Wales and walk up Sugar Loaf together. It’s very easy to skip the lower peaks in favour of the bigger climbs of Pen y Fan and Corn Du, but Sugar Loaf on the edge of the Black Mountains is a really beautiful climb, with really good views on a clear day.